Monday, July 30, 2018

Impressive pieces of art from Monumental cemetery Torino, Italy' - by K.J.S.Chatrath

 Giovanni Antonio Porcheddu (1860-1937) was an Italian engineer who introduced the technique of reinforced concerete constructions in Italy. . The sculptral part of the funerary monument dated 1912 is the work of Edoardo Rubino, the decorative mosaic of Giulio Casanova. This is a happy example of collaboration between the two artists who expressed the exaltation of visual art in their languages.
(Source of text: Torino Monumental Cemetery).

Sunday, July 22, 2018

'Lillies of Heaven, Monumental Cemetery, Milan, Italy' - by K.J.S.Chatrath

The Monumental Cemetery of Milan, Italy is more than just a simple cemetery. It is an extraordinary outdoor museum. It is as if some of the great sculptors of the 1900s were called together to elaborate and reflect on a particularly demanding theme, to be precise, death.

And those who imagine this cemetery as an especially sad place are mistaken. In reality, it presents itself as a pleasant place to visit, filled with inscriptions that invite you to remember those who have gone before, rich with information and accompanied by interesting artistic detail.

The cemetery is comprised of three distinct zones: the central one hosts the tombs of catholic families and persons, that to the right facing the facade, is reserved for Jewish persons, while the left is dedicated to non-Catholics.

From an architectural perspective, you can catch a glimpse of both Romanic and Gothic traces.
Let us take a look at ‘Lillies of Heaven’. It is the title of the tomb got constructed in 1916 by Ettore Elisi (1869-1932), the owner of the Hotel de France (Milan) for his family and in memory of his daughter Adriana, who died in 1913 at the age of 9. 

Fransesco Penna (1865-1927), a sculptor who was quite active in the cemetery, and often interpreted elegiac themes where female and child figures predominated. Created one of his finest works in this case in which the late Liberty accents lend themselves to the flowing lines and upward motion of the sculptured group.

Tuesday, July 3, 2018

'Cimitero monumentale di Staglieno in Genoa, Italy, Part-II' - by K.J.S.Chatrath

One may add here a few words about the history of this cemetery. King Carlo Alberto of Savoy clained in 1832 with the  Regie Patenti Publics or a public proclamation that public cemeteries be constructed in good hygienic conditions and prohibited burials in churches.

 Civic Architect Carlo Barabino was entrusted with the responsibility of planning a central and monumntal cemetery which should comply with all functional requirements.

Barabino's plan was carried out by Architect Giovanni Battista Reasco. The cemetery was officially opened to public on Jnuary 1, 1851 and the provisional chapel was blessed.


(Text sourced from 'Itineraries in Staglieno', edited and published by the Commune of Genoa, Italy )

Sunday, July 1, 2018

'Cimitero monumentale di Staglieno in Genoa, Italy, Part-I' - by K.J.S.Chatrath

I have visited a large number of christian cemeteries the world over and found some of those to be very beautiful. But the three Italian cemeteries that I visited earlier in June this year, were the best that I have seen. Almost each grave is a piece of art and these cemeteries look like open air art museums.....Look at one such grave from Genoa cemetery....More, many more photos and a write up follows soon on my websites and as well as on my blog
The 1st of November is a national holiday in Italy, known as Tutti i Santi or Ognissanti, which celebrates all saints and is followed by All Souls Day on the 2nd of November, a day devoted to honor loved ones who have passed away by going to the cemetery to pray, bringing candles and flowers to their tombs.
  The standard cemetery in most Italian towns and villages is a walled enclosure on the outskirts of cities and towns owned by the local council rather than the church. While in the past dead people were buried in several different ways, Napoleon introduced the current practise of urban cemeteries with the 1804 Edict of Saint-Cloud which forbade burials in churches and towns for reasons of hygiene and to reduce the chance of spread of disease from the over crowded cemeteries.
 Today, most Italian cemeteries consist mainly of multi-storey rows of concrete vaults, sealed with a marble plaque with a small photo of the deceased in life. However, over the years, many people commissioned architects and artists to design special chapels and tombs for them, so many Italian cemeteries have now become open-air museums of funerary art and are known as Cimiteri Monumentali (Monumental Cemeteries).

The Cimitero monumentale di Staglieno in Genoa, Liguria, located on a hillside in the district of Staglieno is famous for its monumental sculptures. It represents for the  Geonese people, not only a place of remembrance, but also a a meaningful historical and cultural heritage. The Municipality of Genoa, aware of the importance of the historical and artistic patrimony housed in Staglieno, a real open air museum, has undertaken numerous projects aimed at restoring and highlighting the many works of art which had made Staglieno famous in Italy as well as abroad.

As explained by Mr. Giorgio Guerello, the City Councillor in the Guide published by the Commune,  the booklet suggests visitors some striking thematic routes inside the cemetery; the Risorgimento, the Angels, the allegories of Charity and Beneficience and the emotions.

 Covering an area of more than a square kilometre, it is one of the largest cemeteries in Europe. The original project was approved in 1835 by the City's architect Carlo Barabino. However, he died the same year as a result of the cholera epidemic that struck the city and the project passed to his assistant and pupil Giovanni Battista Resasco. Work began in 1844 and it was opened on 2 January 1851. At the time Genoa was a major centre of learning within Italy and attracted reformists and an affluent bourgeoisie. Wishing to place long-lasting memorials to remember their work and moral accomplishments, they developed a tradition of funerary art, realistic sculptures in particular, to be placed on their tombs. The cemetery contains the tombs of Oscar Wilde's wife Constance Lloyd, Ferruccio Parri, Fabrizio De AndrĂ©, Nino Bixio, and Giuseppe Mazzini.
 Mark Twain visited while he was in Genoa and wrote: “… We shall continue to remember it after we shall have forgotten the palaces. It is a vast marble colonnaded corridor extending around a great unoccupied square of ground; its broad floor is marble, and on every slab is an inscription—for every slab covers a corpse. On either side, as one walks down the middle of the passage, are monuments, tombs, and sculptured figures that are exquisitely wrought and are full of grace and beauty. They are new and snowy; every outline is perfect, every feature guiltless of mutilation, flaw, or blemish; and therefore, to us these far-reaching ranks of bewitching forms are a hundred fold more lovely than the damaged and dingy statuary they have saved from the wreck of ancient art and set up in the galleries of Paris for the worship of the world.”

 The art of the cemetery is closely tied with the emergence of the Realist art movement in the 1850s. Now it is famous for its weeping angels and sorrowful widows as well as its eerily lifelike depictions of the bereaved and the deceased in contemporary clothing, which have earned the nickname “the talking statues.”
 By the late 1800s, the cemetery had become not only a popular burial place, but also a tourist attraction with guided tours and booklets.

How to get there:
One can get to this cemetery by taking bus: lines 13- 14 - 34 – 48  or by train from Brignole station + lines 14.

(Text sourced from   By Annetta Black ; ) ; 'Itineraries in Staglieno', edited and published by the Commune of Genoa, Italy )